Indie Pop’s Tennis Near the End Game As Doubles Team
It’s game-set-match for the husband-and-wife Tennis team. This isn’t a temporary hiatus. It’s a full-fledged farewell with a “0%” chance of changing their minds.
It’s game-set-match for the husband-and-wife Tennis team. This isn’t a temporary hiatus. It’s a full-fledged farewell with a “0%” chance of changing their minds.
There’s something hopeful Colin Miller reaches for here, even in the darkest places, that makes Losin’ endlessly replayable. Smile through the tears.
The Convenience’s Like Cartoon Vampire sees the New Orleans post-punk duo abandoning synthpop for a more primal rock sound.
Zach Condon’s (Beirut) commission to compose music for a Swedish circus works well as an album but serves better as an artistic statement.
Quickly Quickly’s melodies make this a catchy, very listenable record. The oddball sounds and layered arrangements make it a treat to dig into this album repeatedly.
Unrest’s final album, Perfect Teeth, explores the incredible diversity of 1990s indie rock. It’s absolutely unmissable if you’re a fan of the genre.
Sacred Paws are defined by Ray Aggs’ always-in-motion guitar lines and Eilidh Rodgers’ hyperactive snare drum rolls. Here, they add banjo, and synths to their sound.
Former Galaxie 500 frontperson Dean Wareham speaks about his latest solo album’s themes, which coincide with the recent Los Angeles fires and the eternal political moment.
Dean Wareham savors meaningful relationships, especially when their collaboration is this kinetic. The Price of Loving Me shows noticeable depth.
Tame Impala’s deeply revealing songs disclose important details about Kevin Parker’s life and outlook and mark the cornerstones of his individuality.
Great Grandpa sound like a solid acoustic rock band for most of Patience, Moonbeam. Then they pull out a Radiohead pastiche, a trip-hop track, and things get more interesting.
On For Melancholy Brunettes (& sad women), Japanese Breakfast quiet the fanfare but deliver enough quality to stay relevant.