Colin Miller Arrives at a Tentative Peace on His Magnificent LP
There’s something hopeful Colin Miller reaches for here, even in the darkest places, that makes Losin’ endlessly replayable. Smile through the tears.
There’s something hopeful Colin Miller reaches for here, even in the darkest places, that makes Losin’ endlessly replayable. Smile through the tears.
If you’re looking for an excellent rock record to blast during summer that might provoke profound thoughts as the night progresses, Rodeo Boys have you covered
Rodeo Boys show “the quiet rebellion of a queer, blue-collar heart”. Junior mixes revenge anthems and tales of queer love and identity.
This is the story behind one of the year’s most provocative, must-listen debuts. Cult Therapy are entrenched in the battle to overcome the most harrowing of traumas.
Momma’s songwriting is stronger and more confident, and the production is summer-ready, begging you to put the windows down and crank it up.
Art rockers the Ophelias say they “have been reaching for a more guitar-forward sound, trying to capture our live sound. This time, we stuck the landing.”
Momma’s Allegra Weingarten and Etta Friedman talk about transitions and catharsis in their superb new record, Welcome to My Blue Sky.
Cult Therapy seamlessly blend heavy alternative rock with a pointed critique of religious hypocrisy in a raging song cycle that deserves attention.
The Ophelias sound like they are just getting to their best work on Spring Grove, and it is thrilling to hear them push themselves to new heights.
Patterson Hood’s new LP is a rich musical departure from the raucous rockers he crafts for his day job. It showcases his gifts as a storyteller with a director’s eye.
Baths’ Gut is a potent record, all the better for the tension it leaves unresolved. Musically, these are some of Will Wiesenfeld’s warmest, most inviting songs.
Archers of Loaf’s Vee Vee takes on the mythos of rock stardom, the underbelly of local music scenes, and their rules. It also critiques consumerism.