Indie Pop’s Tennis Near the End Game As Doubles Team
It’s game-set-match for the husband-and-wife Tennis team. This isn’t a temporary hiatus. It’s a full-fledged farewell with a “0%” chance of changing their minds.
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It’s game-set-match for the husband-and-wife Tennis team. This isn’t a temporary hiatus. It’s a full-fledged farewell with a “0%” chance of changing their minds.
In April’s best metal, Ancient Death tread into otherworldly death metal, Behölder stand firm on heavy ground, and Messa look beyond the doom confinements.
The lasting terror in Lord of the Flies isn’t that civilization breaks down: it’s that the tools of empire (dominance, ideology, forced conformity) remain alive and well, even in our children.
Rodeo Boys show “the quiet rebellion of a queer, blue-collar heart”. Junior mixes revenge anthems and tales of queer love and identity.
In episodes from SpongeBob SquarePants and South Park, risk-taking is rejected, leading to psychosis and isolation, or it becomes an an ideology, leading to destruction and absurdity. A degree of risk-taking, however, is essential for a healthy society.
PopMatters recently turned 25, and these memorable 1999 albums celebrate the popular music that defined the year of our birth, for better or worse.
Whether you’ve been a poetry lover for decades or never read a stanza in your life, you’re likely to find something to make you fall in love with poetry among the batch.
Richard Friedenberg’s The Bermuda Triangle is an encyclopedia, a smorgasbord, a broom closet of themes from all over its era’s pop culture.
This is the story behind one of the year’s most provocative, must-listen debuts. Cult Therapy are entrenched in the battle to overcome the most harrowing of traumas.
During her appearance at Brazil’s Psica Festival, Viviane Batidão, “The Queen of Tecnomelody”, talks, dances, and sings the sensual joys of Amazonian Pop.
Gatsby’s fictional legacy is a reflection of America’s all-too-real, relentless ambition, its bottomless hunger for reinvention, and its cruelty toward those who will never reach the upper class.
In the late 1950s, the Cadets delivered doo-wop and R&B designed to yield pure pleasure. These Black singers’ talent and versatility keep the music fresh.