Goose’s Attempt to Solve the Studio Album Puzzle Is Superb
On Everything Must Go, Goose celebrate the past, unlock new possibilities, and deliver one of the best studio albums by a jam band to date.
On Everything Must Go, Goose celebrate the past, unlock new possibilities, and deliver one of the best studio albums by a jam band to date.
Zach Condon’s (Beirut) commission to compose music for a Swedish circus works well as an album but serves better as an artistic statement.
While still discovering his individual identity, TV on the Radio frontman Tunde Adebimpe offers plenty to consider about the human condition along the way.
Bon Iver’s fifth studio LP SABLE, fABLE shifts from the stark beauty of the original EP to include uplifting sounds that are as enjoyable as they are personal.
Okkervil River’s complicated and flawed masterpiece, Black Sheep Boy, found inspiration in an unexpected place, ultimately becoming career-affirming.
Sharp Pins’ aesthetic feels like an attempt to keep analog alive in a digital world: get your hands on a zine, fill out a form, send cash, and receive a tape in return.
On For Melancholy Brunettes (& sad women), Japanese Breakfast quiet the fanfare but deliver enough quality to stay relevant.
Youthful Arkansas native Jesse Welles has been at it for years but moves beyond protest music to the sophisticated alternative country of Middle.
Circumstances surrounding Queens of the Stone Age’s ‘Lullabies to Paralyze’ forced the band to transition and double down on their iconic brand of alternative rock.
Hamilton Leithauser’s This Side of the Island features some incredibly compelling tracks and his most sophisticated instrumentation to date.
The Tubs’ Cotton Crown deals with darker themes about love, loss, and failure despite their penchant for sunny jangle pop sounds.
With Jimi Goodwin sitting out on some tracks, Doves create a familiar mood, even if they do not achieve the same level of greatness.