The Illuminist: Philosophical Explorations in the Work of Alan Moore investigates the convictions and contradictions of the Great American (Graphic) Novel writer who is neither American nor a novelist.
Published in 2015, comics series We Stand on Guard speculates a near-future war between the US and Canada.
Many of Donald Trump’s 2025 cabinet picks came from Fox News. Would the nation be better served if he binged Looney Tunes instead?
Today’s Asian American pop culture stands on the shoulders of Giant Robot, a beloved zine that published an eclectic mix of artists and subjects.
During wartime past, even war-themed comic books designed to help the US military’s reputation were the victims of friendly fire. Ominously, that has changed.
With his graphic memoir Advocate, Eddie Ahn invites readers to contemplate the complexities of pursuing social justice within a profit-driven world.
From marketing manipulation to all-out psychological warfare, Stories Are Weapons clarifies how our world – and worldview – is seldom our own.
Dave Chisholm uses creative methods for his graphic non-fiction novel about Miles Davis including gorgeous artwork to illustrate the jazz icon’s artistic quest.
Understanding the appeal of Doomsday Clock has nothing to do with it being a good or bad comics series. The real question is: does it matter?
With graphic novel Summer of Hamn, rap legend and now visual artist Chuck D has produced his second, strong, COVID-era work of art and social commentary.
Reading Vojtěch Mašek’s s diabolical and superb The Sisters Dietl is like consuming a many-layered pastry laced with something hallucinogenic.
Tintin is one of the secret engines of 20th Century pop culture in Europe and Hollywood, as shown in these James Bond-like movies for the elementary school crowd.
