Jump back 20 years, listen to the best electronic albums of 2005, and hear the era’s state of the genre’s art. It was a highly innovative and influential time.
John Glacier has the capacity to grow into a generational artist who creates by the beat of her own drum. Like a Ribbon is a stepping stone into that space.
Experimental tape wizard Amulets’ Not Around But Through is a lush, all-encompassing, enveloping sound that consumes the listener whole.
It’s evident from Kind Regards that Oren Ambarchi and Eric Thielemans are in lockstep: two boxers circling one another, waiting for the other to strike.
Ten years since the last volume, Da Mind of Traxman Vol. 3 proves how futuristic and timeless his approach has always been.
Following Celia Hollander’s career is a bit like chasing the white rabbit through Wonderland. Her work ranges from scoring to sound installations and visual art.
Asa Horvitz’s experimental collaboration GHOST has honesty and fearlessness and incorporates themes of loss and grief with help from a custom-built AI system.
Amidst the rise in hi-fi bars and resurgence of audiophile culture, pristine audio is only one component of what makes The Listening Garden’s music experience distinct.
FKA Twigs’ Eusexua is a conceptual masterpiece that speaks to the heart and the head, the spirit and the body. These things are not separate from each other.
Celebrated Berlin-based composers Brueder Selke and Midori Hirano form a trio for this spellbinding new collaborative release.
The Orb use technology and culture to craft genuinely astonishing music. Orboretum isn’t just a greatest hits album but an engrossing history.
In trading sample-packs for organic instruments and whistles, Australia’s Alice Ivy returns after four years with an album that moves out of the clubs and into real stardom.
