The Tubs Explore Love and Loss on ‘Cotton Crown’
The Tubs’ Cotton Crown deals with darker themes about love, loss, and failure despite their penchant for sunny jangle pop sounds.
The Tubs’ Cotton Crown deals with darker themes about love, loss, and failure despite their penchant for sunny jangle pop sounds.
With Jimi Goodwin sitting out on some tracks, Doves create a familiar mood, even if they do not achieve the same level of greatness.
The Wombats’ Oh! The Ocean struggles with authenticity, balancing earnestness and self-critique, yet hints at untapped artistic potential.
Alternative rock’s Cryogeyser pour everything they have into this compelling, 1990s-influenced song cycle.
Forty-year-old The Head on the Door propelled the Cure toward arena stature with its musical cohesion and a collection of hallucinatory yet accessible songs.
With Phonetics On and On, Horsegirl move beyond their influences, carving out a distinct identity shaped through time and life experience.
Coalesced is For Against’s masterpiece, creating cinematic sonic spaces to function as containers for insular expressions of self-doubt, regret, and victory.
Death by Unga Bunga’s Raw Muscular Power is a wild, humorous blend of power-pop and garage rock, tackling existential crises with infectious energy.
Fear may have inspired Bartees Strange’s new LP, but the songs on Horror are some of his best to date. He is one of the key artists of this decade.
Bloc Party’s first and best record, championed by Franz Ferdinand, still captivates with its youthful energy, political commentary, and emotional center.
Franz Ferdinand dazzle and frustrate with The Human Fear, their return to the recording studio after a seven-year hiatus. It’s a patchy album with brilliance.
Aimee Mann is a survivor, wizened by experience but willing to keep going with a bit of hope, and Bachelor No. 2 is the peak of her powers.